{"id":29086,"date":"2023-06-07T12:39:16","date_gmt":"2023-06-07T16:39:16","guid":{"rendered":"https:\/\/thewestmoreland.org\/?post_type=exhibition&#038;p=29086"},"modified":"2023-09-21T11:39:28","modified_gmt":"2023-09-21T15:39:28","slug":"block-party-celebration-and-community-in-american-art","status":"publish","type":"exhibition","link":"https:\/\/thewestmoreland.org\/exhibitions\/block-party-celebration-and-community-in-american-art\/","title":{"rendered":"Block Party: Community and Celebration in American Art"},"content":{"rendered":"\n<p>This exhibition uses the World War I innovation of the urban block party as a lens to view artists\u2019 ideas on celebration and community. Flowing through multiple galleries in the Museum like a parade,&nbsp;<em>Block Party&nbsp;<\/em>includes works from twenty-eight artists and one collective of makers that span generations and disciplines. Artworks range from room-sized painting installations and large-scale videos to extraordinary examples of historical American art, and the exhibition comprises collection works alongside loans from artists\u2019 studios and distinguished museums and foundations from Arkansas and Illinois to New York, Massachusetts, and South Carolina.<br><br><a href=\"https:\/\/www.cbsnews.com\/pittsburgh\/video\/westmoreland-museum-of-american-art-celebrates-the-block-party\/\" target=\"_blank\" rel=\"noreferrer noopener\">Click here<\/a> to watch a KDKA TV Pittsburgh Today Live segment highlighting&nbsp;<em>Block Party<\/em>!<\/p>\n\n\n\n<p><a href=\"https:\/\/thewestmoreland.org\/plan-your-visit\/\">Click Here<\/a>&nbsp;to plan your Visit!<\/p>\n\n\n\n<aside class=\"mt-6 mt-md-sm\">\n\t<div id=\"carousel-block_568cbc0e381e9d7ae64fc755091481e4\" class=\"image-carousel carousel slide\" data-bs-interval=\"false\">\n\t\t<div class=\"carousel-inner\">\n\n\t\t\t\t\t\t\t<div class=\"carousel-item active has-caption\">\n\t\t\t\t\t<figure class=\"position-relative\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1643\" height=\"1080\" src=\"https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/02\/AB_2018_5-Adkins-white-background-1643x1080.jpg\" class=\"d-block\" alt=\"\" srcset=\"https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/02\/AB_2018_5-Adkins-white-background-1643x1080.jpg 1643w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/02\/AB_2018_5-Adkins-white-background-300x197.jpg 300w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/02\/AB_2018_5-Adkins-white-background-768x505.jpg 768w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/02\/AB_2018_5-Adkins-white-background-1536x1009.jpg 1536w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/02\/AB_2018_5-Adkins-white-background-2048x1346.jpg 2048w\" sizes=\"(max-width: 1643px) 100vw, 1643px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"d-block\"><p>Terry Adkins (1953-2014), <em>Native Son (Circus)<\/em>, 2006, fabricated in 2015, cymbals, \r\narmature, and additional technical components, 20 x 96 x 96 in. Art Bridges. Courtesy \r\nL\u00e9vy Gorvy. Photography by Elisabeth Bernstein.<\/p><\/figcaption>\n\t\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"carousel-item  has-caption\">\n\t\t\t\t\t<figure class=\"position-relative\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"719\" height=\"1080\" src=\"https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/07\/NC11.009-Drive-by-Film-Still-6-HR-719x1080.jpg\" class=\"d-block\" alt=\"\" srcset=\"https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/07\/NC11.009-Drive-by-Film-Still-6-HR-719x1080.jpg 719w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/07\/NC11.009-Drive-by-Film-Still-6-HR-200x300.jpg 200w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/07\/NC11.009-Drive-by-Film-Still-6-HR-768x1154.jpg 768w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/07\/NC11.009-Drive-by-Film-Still-6-HR-1022x1536.jpg 1022w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/07\/NC11.009-Drive-by-Film-Still-6-HR-1363x2048.jpg 1363w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/07\/NC11.009-Drive-by-Film-Still-6-HR-scaled.jpg 1703w\" sizes=\"(max-width: 719px) 100vw, 719px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"d-block\"><p>Nick Cave, Drive-By, 2011. Film still. Addison Gallery of American Art, Phillips Academy, Andover, MA, Purchased as the gift of Katherine D. and Stephen C. Sherrill (PA 1971, and P 2005, 2007, 2010), 2012.30. \u00a9 Nick Cave. Photo: Courtesy of the artist and Jack Shainman Gallery, New York<\/p><\/figcaption>\n\t\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"carousel-item  has-caption\">\n\t\t\t\t\t<figure class=\"position-relative\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1359\" height=\"1080\" src=\"https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/2013.11-1359x1080.jpg\" class=\"d-block\" alt=\"Kyra Markham, Square Dance, 1945. Tempera on Masonite. The Columbia Museum of Art, Gift of Mr. &amp; Mrs. Bruce Lueck\" srcset=\"https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/2013.11-1359x1080.jpg 1359w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/2013.11-300x238.jpg 300w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/2013.11-768x610.jpg 768w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/2013.11-1536x1221.jpg 1536w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/2013.11-2048x1628.jpg 2048w\" sizes=\"(max-width: 1359px) 100vw, 1359px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"d-block\"><p>Kyra Markham, <em>Square Dance,<\/em> 1945. Tempera on Masonite.\r\nThe Columbia Museum of Art, Gift of Mr. &#038; Mrs. Bruce Lueck.<\/p><\/figcaption>\n\t\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"carousel-item  has-caption\">\n\t\t\t\t\t<figure class=\"position-relative\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"919\" src=\"https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/Noel-W.-Anderson.jpg\" class=\"d-block\" alt=\"Noel W. Anderson, The Last Supper, 2022\u201323. Distressed and stretched cotton tapestry, 106 x 160 in. \u00a9 Noel W. Anderson. Courtesy of NWA Studios LLC, New York\" srcset=\"https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/Noel-W.-Anderson.jpg 1500w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/Noel-W.-Anderson-300x184.jpg 300w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/Noel-W.-Anderson-768x471.jpg 768w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"d-block\"><p>Noel W. Anderson, <em>The Last Supper,<\/em> 2022\u201323. Distressed and stretched cotton tapestry, 106 x 160 in. \u00a9 Noel W. Anderson. Courtesy of NWA Studios LLC, New York.<\/p><\/figcaption>\n\t\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"carousel-item  has-caption\">\n\t\t\t\t\t<figure class=\"position-relative\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1620\" height=\"1080\" src=\"https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/Noel-Detail-sideview-flower-on-table-1620x1080.jpg\" class=\"d-block\" alt=\"Noel W. Anderson, The Last Supper (Detail), 2022\u201323. Distressed and stretched cotton tapestry, 106 x 160 in. \u00a9 Noel W. Anderson. Courtesy of NWA Studios LLC, New York\" srcset=\"https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/Noel-Detail-sideview-flower-on-table-1620x1080.jpg 1620w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/Noel-Detail-sideview-flower-on-table-300x200.jpg 300w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/Noel-Detail-sideview-flower-on-table-768x512.jpg 768w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/Noel-Detail-sideview-flower-on-table-1536x1024.jpg 1536w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/Noel-Detail-sideview-flower-on-table.jpg 1800w\" sizes=\"(max-width: 1620px) 100vw, 1620px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"d-block\"><p>Noel W. Anderson, <em>The Last Supper,<\/em> (Detail) 2022\u201323. Distressed and stretched cotton tapestry, 106 x 160 in. \u00a9 Noel W. Anderson. Courtesy of NWA Studios LLC, New York.<\/p><\/figcaption>\n\t\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"carousel-item  has-caption\">\n\t\t\t\t\t<figure class=\"position-relative\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1619\" height=\"1080\" src=\"https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/Carris-Adams-1619x1080.jpg\" class=\"d-block\" alt=\"Carris Adams, WIGWIGWIG, 2020. Oil and acrylic on PVC panel, 35 x 40 in. \u00a9 Carris Adams. Courtesy of the artist and Goldfinch, Chicago\" srcset=\"https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/Carris-Adams-1619x1080.jpg 1619w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/Carris-Adams-300x200.jpg 300w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/Carris-Adams-768x512.jpg 768w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/Carris-Adams-1536x1025.jpg 1536w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/Carris-Adams-2048x1366.jpg 2048w\" sizes=\"(max-width: 1619px) 100vw, 1619px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"d-block\"><p>Carris Adams, <em>WIGWIGWIG,<\/em>2020. Oil and acrylic on PVC panel, 35 x 40 in. \u00a9 Carris Adams. Courtesy of the artist and Goldfinch, Chicago.<\/p><\/figcaption>\n\t\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"carousel-item  has-caption\">\n\t\t\t\t\t<figure class=\"position-relative\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1569\" height=\"1080\" src=\"https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/CarrisAdams_details-04-1569x1080.jpg\" class=\"d-block\" alt=\"Carris Adams, WIGWIGWIG (Detail), 2020. Oil and acrylic on PVC panel, 35 x 40 in. \u00a9 Carris Adams. Courtesy of the artist and Goldfinch, Chicago.\" srcset=\"https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/CarrisAdams_details-04-1569x1080.jpg 1569w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/CarrisAdams_details-04-300x207.jpg 300w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/CarrisAdams_details-04-768x529.jpg 768w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/CarrisAdams_details-04-1536x1057.jpg 1536w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/CarrisAdams_details-04-2048x1410.jpg 2048w\" sizes=\"(max-width: 1569px) 100vw, 1569px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"d-block\"><p>Carris Adams, <em>WIGWIGWIG,<\/em> (Detail) 2020. Oil and acrylic on PVC panel, 35 x 40 in. \u00a9 Carris Adams. Courtesy of the artist and Goldfinch, Chicago.<\/p><\/figcaption>\n\t\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"carousel-item  has-caption\">\n\t\t\t\t\t<figure class=\"position-relative\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1594\" height=\"1080\" src=\"https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/Hank-ONeal-1594x1080.jpg\" class=\"d-block\" alt=\"Hank O\u2019 Neal, March and Rally from the series Gay Day, 1983. Vinyl photo mural, 116 x 252 in. \u00a9 Hank O\u2019Neal. Courtesy of the artist.\" srcset=\"https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/Hank-ONeal-1594x1080.jpg 1594w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/Hank-ONeal-300x203.jpg 300w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/Hank-ONeal-768x520.jpg 768w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/Hank-ONeal-1536x1041.jpg 1536w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/Hank-ONeal-2048x1388.jpg 2048w\" sizes=\"(max-width: 1594px) 100vw, 1594px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"d-block\"><p>Hank O\u2019 Neal, <em>March and Rally from the series Gay Day,<\/em> 1983. Vinyl photo mural, 116 x 252 in. \u00a9 Hank O\u2019Neal. Courtesy of the artist.<\/p><\/figcaption>\n\t\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"carousel-item  has-caption\">\n\t\t\t\t\t<figure class=\"position-relative\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1224\" height=\"945\" src=\"https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/The-Circus_Web.jpg\" class=\"d-block\" alt=\"\" srcset=\"https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/The-Circus_Web.jpg 1224w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/The-Circus_Web-300x232.jpg 300w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/The-Circus_Web-768x593.jpg 768w\" sizes=\"(max-width: 1224px) 100vw, 1224px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"d-block\"><p>George Bellows, <em>The Circus<\/em>, 1912. Oil on canvas, 33 7\/8 x 44 in. Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, Gift of Elizabeth Paine Metcalf, 1947.8.<\/p><\/figcaption>\n\t\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"carousel-item  has-caption\">\n\t\t\t\t\t<figure class=\"position-relative\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"721\" height=\"1080\" src=\"https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/EB15_Swallow_this_b-721x1080.jpg\" class=\"d-block\" alt=\"Elijah Burgher, Swallow this whole world whole, 2014. Acrylic on canvas drop cloth, 108 x 72 in. \u00a9 Elijah Burgher. Courtesy of the artist and Western Exhibitions, Chicago.\" srcset=\"https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/EB15_Swallow_this_b-721x1080.jpg 721w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/EB15_Swallow_this_b-200x300.jpg 200w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/EB15_Swallow_this_b-768x1151.jpg 768w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/EB15_Swallow_this_b-1025x1536.jpg 1025w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/EB15_Swallow_this_b-1367x2048.jpg 1367w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2023\/06\/EB15_Swallow_this_b-scaled.jpg 1709w\" sizes=\"(max-width: 721px) 100vw, 721px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"d-block\"><p>Elijah Burgher, <em>Swallow this whole world whole,<\/em> 2014. Acrylic on canvas drop cloth, 108 x 72 in. \u00a9 Elijah Burgher. Courtesy of the artist and Western Exhibitions, Chicago.<\/p><\/figcaption>\n\t\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t<\/div>\n\t\t\t\n\t\t\t<button class=\"carousel-control-prev position-absolute\" data-bs-target=\"#carousel-block_568cbc0e381e9d7ae64fc755091481e4\" data-bs-slide=\"prev\">\n\t\t\t\t<svg width=\"43\" height=\"11\" viewBox=\"0 0 43 11\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t<path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M2.29748 5.00012L5.78754 1.56139L5.08569 0.84906L0.365234 5.50009L5.08569 10.1511L5.78754 9.4388L2.29753 6.00012L42.9243 6.00012V5.00012L2.29748 5.00012Z\" fill=\"currentColor\" \/>\n<\/svg>\n\t\t\t\t<span class=\"visually-hidden\">Previous<\/span>\n\t\t\t<\/button>\n\n\t\t\t<button class=\"carousel-control-next position-absolute\" data-bs-target=\"#carousel-block_568cbc0e381e9d7ae64fc755091481e4\" data-bs-slide=\"next\">\n\t\t\t\t<svg width=\"43\" height=\"11\" viewBox=\"0 0 43 11\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t<path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M40.9916 6.00006L37.5015 9.4388L38.2034 10.1511L42.9238 5.50009L38.2034 0.849055L37.5015 1.56138L40.9915 5.00006L0.364784 5.00006L0.364784 6.00006L40.9916 6.00006Z\" fill=\"currentColor\"\/>\n<\/svg>\n\t\t\t\t<span class=\"visually-hidden\">Next<\/span>\n\t\t\t<\/button>\n\n\t\t<\/div>\n\t<\/div>\n<\/aside>\n\n\n\n\n<p><em>Block Party: Community and Celebration in American Art<\/em>&nbsp;coincides with the 250<sup>th<\/sup>anniversary of Westmoreland County. It is organized by Jeremiah William McCarthy, Chief Curator, with Danny Volk, Terra Foundation for American Art Curatorial Fellow.<\/p>\n\n\n\n<p>Support for<em> Block Party<\/em> is generously provided by The Heinz Endowments, The Hillman Exhibition Fund of The Westmoreland Museum of American Art, and The Fine Foundation.<\/p>\n\n\n\n<div class=\"wp-block-group is-nowrap is-layout-flex wp-container-core-group-is-layout-2 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group is-nowrap is-layout-flex wp-container-core-group-is-layout-1 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/thewestmoreland.org\/wp-content\/uploads\/2022\/04\/HeinzLogoFull.png\" alt=\"\" class=\"wp-image-22307\" style=\"width:288px;height:44px\" width=\"288\" height=\"44\" title=\"\" srcset=\"https:\/\/thewestmoreland.org\/wp-content\/uploads\/2022\/04\/HeinzLogoFull.png 384w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2022\/04\/HeinzLogoFull-300x45.png 300w\" sizes=\"(max-width: 288px) 100vw, 288px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/thewestmoreland.org\/wp-content\/uploads\/2022\/04\/Hillmanlogo.png\" alt=\"\" class=\"wp-image-22308\" style=\"width:152px;height:50px\" width=\"152\" height=\"50\" title=\"\" srcset=\"https:\/\/thewestmoreland.org\/wp-content\/uploads\/2022\/04\/Hillmanlogo.png 609w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2022\/04\/Hillmanlogo-300x98.png 300w\" sizes=\"(max-width: 152px) 100vw, 152px\" \/><\/figure>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-thumbnail is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/thewestmoreland.org\/wp-content\/uploads\/2022\/11\/FineFoundLogoMetaProMedPMS1797-PDF-1-1-150x150.png\" alt=\"\" class=\"wp-image-26269\" style=\"width:150px;height:150px\" width=\"150\" height=\"150\" srcset=\"https:\/\/thewestmoreland.org\/wp-content\/uploads\/2022\/11\/FineFoundLogoMetaProMedPMS1797-PDF-1-1-150x150.png 150w, https:\/\/thewestmoreland.org\/wp-content\/uploads\/2022\/11\/FineFoundLogoMetaProMedPMS1797-PDF-1-1.png 300w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/figure>\n<\/div>\n\n\n\n<p><br>&nbsp;The&nbsp;<em>Block Party<\/em>&nbsp;exhibition logo includes the font Mixo by Matthieu Cannavo (Velvetyne Type Foundry).<\/p>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\"><\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This exhibition takes as its point of departure the World War I\u00a0innovation of the urban \u201cblock party,\u201d and uses it as a lens to view ideas on belonging, activism, and mutual solidarity in historical and contemporary American art. Drawn largely from the museum\u2019s collection, amplified by key loans from distinguished public and private collections, the show celebrates the 250th anniversary of Westmoreland County.<\/p>\n","protected":false},"featured_media":27911,"template":"","exhibition-tag":[249],"class_list":["post-29086","exhibition","type-exhibition","status-publish","has-post-thumbnail","hentry","exhibition-tag-249"],"acf":[],"_links":{"self":[{"href":"https:\/\/thewestmoreland.org\/wp-json\/wp\/v2\/exhibition\/29086"}],"collection":[{"href":"https:\/\/thewestmoreland.org\/wp-json\/wp\/v2\/exhibition"}],"about":[{"href":"https:\/\/thewestmoreland.org\/wp-json\/wp\/v2\/types\/exhibition"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thewestmoreland.org\/wp-json\/wp\/v2\/media\/27911"}],"wp:attachment":[{"href":"https:\/\/thewestmoreland.org\/wp-json\/wp\/v2\/media?parent=29086"}],"wp:term":[{"taxonomy":"exhibition-tag","embeddable":true,"href":"https:\/\/thewestmoreland.org\/wp-json\/wp\/v2\/exhibition-tag?post=29086"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}