{"id":32372,"date":"2024-02-05T11:48:46","date_gmt":"2024-02-05T16:48:46","guid":{"rendered":"https:\/\/thewestmoreland.org\/?post_type=exhibition&p=32372"},"modified":"2024-08-12T08:13:12","modified_gmt":"2024-08-12T12:13:12","slug":"all-the-right-notes","status":"publish","type":"exhibition","link":"https:\/\/thewestmoreland.org\/exhibitions\/all-the-right-notes\/","title":{"rendered":"All the Right Notes"},"content":{"rendered":"\n

Inspired by the long-term loan of Terry Adkin’s kinetic\u00a0Native Son (Circus)<\/em>\u00a0and Melissa Meyer’s monumental\u00a0O the Times, O the Manners,<\/em>\u00a0All the Right Notes<\/em> presents artworks and objects inspired by the ethereality of music. A newly acquired suite of Milt Hinton jazz photographs is on view for the first time.\u00a0<\/p>\n\n\n\n

Support for All the Right Notes <\/em>is provided by The Heinz Endowments. The presentation of Terry Adkins’s Native Son (Circus)<\/em> is made possible by Art Bridges. Special thanks to Melissa Meyer and Hank O’Neal.<\/p>\n\n\n

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